Tuesday 11 July 18:00-20:30, University of Salford, MediaCityUK Campus.
Wednesday 12 July 10:00-17:00, University of Salford, MediaCityUK Campus.
- The main festival screening, followed by a drinks reception and networking.
- A 3-channel audio-visual installation by Nduka Mntambo will be showing in the DevLab throughout the evening.
Wednesday 12 July 10:00-17:00, University of Salford, MediaCityUK Campus.
- A programme of screenings and panel discussions, followed by a drinks reception and networking.
- Festival films will also be available on screens in the foyer throughout the day.
Day 1, Tuesday 11 July
18:00 – 19:15 Festival Screening 1, DMPL, Ground floor.
19:30 – 20:30 Festival Screening 2, DMPL, Ground floor.
20:30–21:30 Drinks reception and networking, Foyer.
A 3-channel audio-visual installation by Nduka Mntambo showing in the DevLab throughout the evening.
A 3-channel audio-visual installation by Nduka Mntambo showing in the DevLab throughout the evening.
INEFF Participant films showing in the Green Screen Studio, Ground floor
Film title |
Runtime |
Director |
The Staircase: Part One |
13min |
Vron Harris |
Jello |
12min |
Adonia Boucheri |
Turning to Birds |
11min |
Maverick Motion |
In Pericula (At Risk) |
6min |
Daksha Patel |
Day 2, Wednesday 12 July
A parallel programme of films is shown on looped screens in the foyer throughout the day (see the full list below).
10:00 – 13:00 INEFF Feature film screenings and discussion (Panel 1), DMPL, Ground floor.
Kersti Grunditz Brennan & Annika Boholm
A screening the feature film BLOD and sharing the BLOD Method – a case study for method development in films/research projects in the realm of experimental fiction film.
Michael Keerdo-Dawson
The Limits of Consent is an interactive fiction film with 9 possible endings. The film will be screened, and audience members will be able to chose a path through the film. The screening will be followed by a Q&A and talk by the director in which the method will be illuminated.
Kersti Grunditz Brennan & Annika Boholm
A screening the feature film BLOD and sharing the BLOD Method – a case study for method development in films/research projects in the realm of experimental fiction film.
Michael Keerdo-Dawson
The Limits of Consent is an interactive fiction film with 9 possible endings. The film will be screened, and audience members will be able to chose a path through the film. The screening will be followed by a Q&A and talk by the director in which the method will be illuminated.
10:00 – 13:00 Festival Screening Block 1, TV Studio, Ground floor
14:00–17:00, Feature film screenings, DMPL, Ground floor.
14:00–17:00 Festival Screening Block 2, TV Studio, Ground floor
14:00–15:30 INEFF Discussion and presentation Panel 2, Foyer.
Myrto Farmaki
Film Narrative as Moebius Ribbon Circuit: Psychoanalysis, AI and the assisted unconscious.
Adonia Bouchehri
Boucheri will share a performative lecture in which they draw on their practice-based research into filmmaking as a mechanism for negotiating reality and consciousness, imagination, and memory.
Vron Harris
How Is It Possible To Make A Film To Evoke A Character’s Internal State Of Mind?
Myrto Farmaki
Film Narrative as Moebius Ribbon Circuit: Psychoanalysis, AI and the assisted unconscious.
Adonia Bouchehri
Boucheri will share a performative lecture in which they draw on their practice-based research into filmmaking as a mechanism for negotiating reality and consciousness, imagination, and memory.
Vron Harris
How Is It Possible To Make A Film To Evoke A Character’s Internal State Of Mind?
14:00–15:30 INEFF Discussion and presentation Panel 3, DevLab, Ground floor
Nduka Mntambo
Mntambo will detail working methods in the production of a 3-channel audio-visual installation.
Andre Semenza, Fernanda Lippi (Maverick Motion films)
Turning to Birds film discussion.
Daksha Patel
Patel will outline the process leading up to the creation of the experimental film In Pericula: At Risk (2022).
Nduka Mntambo
Mntambo will detail working methods in the production of a 3-channel audio-visual installation.
Andre Semenza, Fernanda Lippi (Maverick Motion films)
Turning to Birds film discussion.
Daksha Patel
Patel will outline the process leading up to the creation of the experimental film In Pericula: At Risk (2022).
15:45–17:00 INEFF Discussion and presentation Panel 4, Foyer
Phillip Warnell
Warnell’s research is located around relations between the philosophical notion of logos and screen appearance of the dead, with cinema situated as an uneasy rapport between evidential and spectral media.
Fraser Cornall
How the collision of Existential philosophy and Structural Film can affect the meaning of the image?
Alejandra Rodriguez-Remedi
Rodriguez-Remedi research focuses on Chilean writer-director Raúl Ruiz's (1941-2011) use of speculative bricolage in the making, teaching and theorisation of his film and video practice.
Phillip Warnell
Warnell’s research is located around relations between the philosophical notion of logos and screen appearance of the dead, with cinema situated as an uneasy rapport between evidential and spectral media.
Fraser Cornall
How the collision of Existential philosophy and Structural Film can affect the meaning of the image?
Alejandra Rodriguez-Remedi
Rodriguez-Remedi research focuses on Chilean writer-director Raúl Ruiz's (1941-2011) use of speculative bricolage in the making, teaching and theorisation of his film and video practice.
15:45–17:00 INEFF Discussion and presentation Panel 5, DevLab, Ground floor
Andrea Pagnes
Poetics of Relations: A Manifesto on Performance-Based Filmmaking.
Thalia Hoffman
Hoffman share the making of my latest film "A handmade tale" as a performative lecture and screening of film excerpts.
Nobunye Levin
Levin will discuss SpilLover (2021, a fragmentary cine-poem of feminist love praxis, which is screened in the DMPL from 14:00 prior to her talk.
Andrea Pagnes
Poetics of Relations: A Manifesto on Performance-Based Filmmaking.
Thalia Hoffman
Hoffman share the making of my latest film "A handmade tale" as a performative lecture and screening of film excerpts.
Nobunye Levin
Levin will discuss SpilLover (2021, a fragmentary cine-poem of feminist love praxis, which is screened in the DMPL from 14:00 prior to her talk.
17:00–17:15 Closing remarks, Foyer.
17:15–19:30 Drinks reception and networking, Foyer.
17:15–19:30 Drinks reception and networking, Foyer.