DAY 1 (17 JULY)
All panels take place in the Digital Media and Performance Lab (DMPL) on the ground floor.
Panel 1 (10:00-11:00)
Robbrecht Desmet
Observing and staging critique: fiction as an essayistic device
Observing and staging critique: fiction as an essayistic device
| robbrecht_desmet_2025_ineff_conference.pdf |
Aleksandra Ershova
The Scream
The Scream
| ershova_aleksandra_2025_ineff_conference.pdf |
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Steve Nest
Hong Sang-soo and the idea of The Unfocussed Image
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Patrícia Sequeira Brás
Examining Tsai Ming-liang's Days
Examining Tsai Ming-liang's Days
Panel 2 (11:30-12:30)
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Martin Jehle
The Reversal of Cinematic Time
SCREEN 1, CORRIDOR |
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Julia Rose Gostynski
The Bad Spectator
The Bad Spectator
| julia_gostynski_2025_ineff_conference.pdf |
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Jacob Brinkworth
The Commodification of Time
SCREEN 1, CORRIDOR |
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Miklós (Miki) Ambrózy
Degrowing Poetics: Dancing with Abundance, Doubling Down on Restraint
SCREEN 3, CORRIDOR |
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Panel 3 (14:00-15:00)
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Polina Medvedeva & Andreas Kühne
Assembling Documentary and Fiction Film on Stage
SCREEN 5, TV STUDIO |
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Robin Parmar
A recomposition of Maya Deren’s unfinished experimental film “The Witch’s Cradle”
SCREEN 7, TV STUDIO |
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Liis Nimik
Filmmakers as Chance-Seekers
SCREEN 2, CORRIDOR |
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Fraser Cornell
Borders and Transcendence: the Existential Structural Film
LOBBY |
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Lee-Jane Bennion-Nixon
Exposing the ‘Tissue of Making’ in Fiction Filmmaking
Exposing the ‘Tissue of Making’ in Fiction Filmmaking
| bennion-nixon_lee-jane_2025_ineff_conference.pdf |
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SCREEN 6, TV STUDIO |
DAY 2 (18 JULY)
All panels take place in the Digital Media and Performance Lab (DMPL) on the ground floor.
Panel 4 (10:00-11:00)
Sarah Gibson Yates
Exploring intimacy through hybrid screenwriting with generative AI: towards a postdigital co-creative screen practice.
Exploring intimacy through hybrid screenwriting with generative AI: towards a postdigital co-creative screen practice.
| gibson_yates_sarah_2025_ineff_conference.pdf |
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SCREEN 6, TV STUDIO |
| faber_jack_2025_ineff_conference.pdf |
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SCREEN 6, TV STUDIO |
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Julia Vilhena
Distant Land
SCREEN 3, CORRIDOR |
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Sivaranjini J
Fiction as Cinema’s Reality; Reflection on the Making of the Film Victoria
Fiction as Cinema’s Reality; Reflection on the Making of the Film Victoria
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Enrico Piffer
The Museum-goers Gaze at Nothing More than the Displayed Installation
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SCREEN 1, CORRIDOR |
Panel 5 (11:30-12:30)
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Annie Morrad
Cinema as a space for storytelling and exploring ways to disrupt this communication method in order to present new stories.
GREEN ROOM |
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Diana Orduna Garcés
A Sonic Air. Quito: Space, Abyss
GREEN SCREEN STUDIO |
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Julia Fromm
Flexible Latitudes
DEVELOPMENT LAB |
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